Ninotchka (1939, Ernst Lubitsch)

Greta Garbo’s most famous movie role is also one of her best. The plot of Ninotchka is not very original: Garbo plays a cold Communist who is sent to Paris on official business, but she soon falls under the spell of both the French city and a debonair Count (delightfully played by Melvyn Douglas). Most of the film’s humor derives from the obvious fish-out-of-water scenario. But the sophisticated touch of the great Ernst Lubitsch, combined with Garbo’s surprisingly excellent flair for comedy, help the film enter the realm of high art. Lubitsch and Garbo are an odd artistic couple that create movie magic.

Personally, this is the only time I have sensed that the notoriously misanthropic Garbo is really enjoying herself. The endless witty lines (Billy Wilder was one of the screenwriters) at her disposal, may account for Garbo’s willingness to relax and have fun with the material. Douglas is perfect as Garbo’s love interest. Horror legend Bela Lugosi appears in a rare straight part as Garbo’s boss. Ninotchka is a funny, very chic romantic-comedy that offers endless pleasure no matter how many times you’ve seen it. It is also one of Hollywood’s most delightful creations.

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